Akiko Hinagata

A comic-based comedy about the young and talented Shota (Kashiwabara Takashi) who set a goal of becoming the no. 1 sushi chef in Japan to save his father's sushi shop. To learn the art of making sushi, he became an apprentice at the famous Otori Sushi. Each episode sees him picking up a new skill, and going a step towards his goal. However, many obstacles stood in his way, including a harsh and cold senior who was jealous of his talent.

Ieji Hisashi, a salaryman who works for a securities company, has a fuzzy memory of the recent five years because of an accident at his job posting. His wife of five years, Megumi and their 4-year-old son seem to wear masks. He can neither tell their facial expressions nor their emotions. He also struggles about his love for them. On the other hand, Ieji feels an attachment to his ex-wife, whom he divorced five years ago, and their daughter. What sort of days did he have in those five years which are a blank to him? Ieji sets out on a journey to find his past self with a mysterious bunch of 10 keys that he has. He becomes aware that he was a cold, career-minded man before the accident, and the persona that is gradually revealed is beyond the imagination of his present kindhearted self.

Natsumi is the 23 years old daughter of a master baker in Yokohama and in training with her father to become a pastry chef. She lives with her parents and younger brother in Yokohama. One day she travels to Iwate Prefecture with her boyfriend Masaki for his grandmother Katsuno's 77th birthday. While they are there, Katsuno, head okami of a famous ryokan in Morioka City, becomes ill and asks Masaki to return to run the ryokan. Natsumi returns to Yokohama and later Masaki visits, asking her to disregard their earlier plans to get married because he will return to Morioka as requested by Katsuno. However, Natsumi surprises him with a vow to become the ryokan's okami. Is Natsumi in for clear skies as suggested by the series name?

Amagi Yu is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department’s First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the “graveyard of detectives” and ridiculed as the “banishment room where hardened detectives who cannot be fired are sent”. Its assembled detectives Samura Kosuke, Yamashita Takumi, Nagasawa Keita, Mizutani Tamaki and Katagiri Masatoshi are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi and time limit, he searches for the meaning of “blank time” which arises from this. He obsesses over the weight of every minute and second of time because of some incident.