Chika Uchida

The drama is a family story with a lot of black humor about the tragedy and joy of three sisters who gave their mother a trip to a hot spring for her birthday.

Every 'drama of death' unfolds in a terminal care unit

A man in his forties is struggling with life and his career, until the 17-year-old daughter of his first love from 20 years ago appears unexpectedly. "I wanted to meet the man that my mom was in love with..." Bewildered by this encounter, he remembers the promise he made, but couldn’t keep, with his first love all those years ago... Maybe the problems he’s facing now are all linked to the mistakes of his past? Realizing that he’s emotionally shaken has after finally starting to confront his unfinished past, he begins opening doors he had previously thought were closed for good... When you’re midway through life, you stop and think... A touching drama about the importance of living honestly!

Seiichi Habu is a member of the mysterious outlaw group Avalanche. The group exists at a time when moral hazards run rampant among politicians, bureaucrats, businesses, and even among ordinary people.

Kanako is about to open a French restaurant, for the sole purpose of making herself happy with good food and wine. She recruits Iga, a waiter who is undervalued at his current restaurant. After Kanako declares, “I’m convinced that you will become a great waiter,” he decides to work for her. However, he quickly finds out that not only is the restaurant poorly located – it’s in the middle of the cemetery, far away from downtown and residential areas – but none of the other staff, such as former hairdresser Kawai, have ever worked at a French restaurant.

Pinku (the Japanese softcore film sub-genre) has a long and historied part in Japanese cinema. The genre has existed for over forty years and seen many ebbs and flows. One of the directors during the heyday of the movement was the prolific Muranishi Toru. Adapted from a novel about the man, this series depicts the character, his art, vision and his interactions with the approving and disapproving folk around him.

Amagi Yu is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department’s First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the “graveyard of detectives” and ridiculed as the “banishment room where hardened detectives who cannot be fired are sent”. Its assembled detectives Samura Kosuke, Yamashita Takumi, Nagasawa Keita, Mizutani Tamaki and Katagiri Masatoshi are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi and time limit, he searches for the meaning of “blank time” which arises from this. He obsesses over the weight of every minute and second of time because of some incident.

A detective probes the brutal murder of a woman in a red light district while a housewife hides her double life as a prostitute from her husband.