Margarita Isabel

Luz Clarita is a Mexican telenovela produced by Televisa that aired on Canal de las Estrellas in 1996. The series, a remake of Andrea Celeste and Chispita, stars Verónica Merchant and César Évora, as well as child actors Daniela Luján and Ximena Sariñana. It has a dual storyline intended to attract both children and adults.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.

Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.