Nora Navas

In the 14th century, Barcelona is experiencing one of its most prosperous moments. The city has grown to La Ribera, a fishing district in which the largest Marian temple ever known is built: Santa María del Mar. But the construction runs parallel to Arnau Estanyol, a serf of the land who, fleeing the abuses of The feudal lords of the countryside take refuge in Barcelona.

Isa is a feminist, bisexual, and polyamorous posh girl, she passionately defends her life. When Guillem proposes to be a monogamous couple, Isa is not sure if he wants to change her life and, given her lack of decision, Guillem decides to break the relationship. Living in a world of appearances and comforts, her contradictions come to light and her universe is crumbling at the blow of likes and moral judgments in this web that social networks have become.

The viral video of a Christian pop group made up of several sisters has an enormous effect on the life of Enric, a man tormented by a childhood marked by religious fanaticism and the yoke of a mother with messianic delirium.

El cor de la ciutat is a TVC television soap opera first broadcast on TV3 on 11 September 2000 and last broadcast on 23 December 2009. The show is the most watched fiction program in Catalonia, Spain, especially among female audiences, drawing around 28-33% of the audience with as much as 40% during season finales. El cor de la ciutat follows the lives of the people who live and work in the neighbourhood of Sants and Sant Andreu in Barcelona, Catalonia, Spain.

During a mysterious thunderstorm, Vera, a young mother, manages to save a life in danger, but her good deed causes a disturbing chain of unexpected consequences.

The day Oskar, a typical local boy, crosses paths with the mysterious and wealthy Farad family, his life changes forever. Oskar enters a winner-take-all game, the world of international arms trafficking. In Marbella where the Farads live, luxury, adrenaline and intense emotions await him... But also a backside of violence and cynicism that tests his will.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.