Sammee Tong

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

Hey, Jeannie! is an American situation comedy starring Jeannie Carson as a young Scottish woman living in New York City. Twenty-six episodes aired on CBS from September 8, 1956 to May 4, 1957 in the Saturday slot following The Gale Storm Show and preceding the western series Gunsmoke. Six additional episodes aired in 1958 in syndication. Reruns of Hey, Jeannie! aired during the summer of 1960 under the title The Jeannie Carson Show.

Mickey is an American situation comedy that aired on ABC from September 1964 to January 1965. Created and produced by Bob Fisher and Arthur Marx, the series stars Mickey Rooney, and was filmed at Metro-Goldwyn-Mayer Studios.

Telephone Time is an American anthology drama series that aired on CBS in 1956, and on ABC from 1957 to 1958. The series features plays by John Nesbitt who hosted the first season. Frank C. Baxter hosted the 1957 and 1958 seasons. The program was directed by Arthur Hiller.

Bachelor Father is an American sitcom starring John Forsythe, Noreen Corcoran, and Sammee Tong. The series first premiered on CBS in September 1957 before moving to NBC for the third season in 1959. The series' fifth and final season aired on ABC from 1961 to 1962. A total of 157 episodes were aired. The series was based on "A New Girl in His Life", which aired on General Electric Theater on May 26, 1957. Bachelor Father is the only primetime series ever to run in consecutive years on the three major televisions networks.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Private Eyes Tom Lopaka and Tracy Steele are based out of Hawaiian Village Resort where they work both hotel security and are hired by others to look into various matters. They're helped by their trusty right-hand man Kazuo Kim who runs a taxi company and is always eager to help them.

A traveling performer arrives at a remote South American port town where the head of an air freight service must risk his pilots' lives to earn a major contract.

A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.