Dudaktan Kalbe

Citizen Baines is an American drama series that starred James Cromwell. The series premiered September 29, 2001 on CBS and was created by Emmy Award-winning producer Lydia Woodward.

O Cravo e a Rosa is a Brazilian telenovela produced and broadcast by Rede Globo. It ran from June 26, 2000 to March 10, 2001. It is based on the Shakespearean comedy The Taming of the Shrew. It is currently being broadcast in Portugal, on SIC.

1 Rittoru no Namida is a Japanese television drama for Fuji Television about a girl who was diagnosed with an incurable degenerative disease at 15, but was able to continue her life until her death at the age of 25.

A Danish reality show where eight competitors are trying to survive on their own own in Norway's most deserted areas.

When the Golden Race invited other races to join them in the stars, three sentient races answered their call. The Goldens called them the Bronze, Silver and Heroic Tribes. Just before the Gold Tribe left to travel to another Universe, a fourth race appeared, traveling to the stars on their own accomplishments. The Golds named the human race the Iron Tribe. During the passing of time, humanity suffers at the hands of the more dominant races and is now facing extinction. Following a prophecy left by the Gold Tribe, Princess Deianeira sets out to search for the powerful being who might be able to save humankind. She meets a wild haired boy on an abandoned planet—a fateful encounter that will not only change the fortunes of Humanity, but also the fate of the universe.

Shelley is a British sitcom made by Thames Television and originally broadcast on ITV from 12 July 1979 to 12 January 1984 and from 11 October 1988 to 1 September 1992. Starred Hywel Bennett as James Shelley, originally 28 years old and a sardonic, perpetually unemployed anti-establishment 'freelance layabout' with a doctoral degree. In the original run, Belinda Sinclair played Shelley's girlfriend Fran, and Josephine Tewson appeared regularly as his Landlady, Edna Hawkins. The series was created by Peter Tilbury who also wrote the first three series. The scripts for subsequent episodes were by Andy Hamilton and Guy Jenkin, Colin Bostock-Smith, David Frith, Bernard McKenna and Barry Pilton. All 71 episodes were produced and directed by Anthony Parker. Series seven was titled on screen The return of Shelley, and was broadcast in 1988. This time round, Shelley is separated from Fran, and lives on his own, doing his best to avoid obtaining gainful employment. The series begins with Shelley returning to the UK from Saudi Arabia, where he had taught English for a few years, only to find that his calls to his old friends are now screened by answer phones and that yuppieness has taken root in his old neighbourhood. The final three series returned to the on-screen title of Shelley.

This show is on a mission: to answer life's big questions through art. Join the ever-curious Namila Benson on the journey as she meets artists from all over the creative landscape to find out who we are and where we're headed.

Comedy about the unlikely friendship that develops between two very different young women who meet waitressing at a diner in trendy Williamsburg, Brooklyn, and form a bond over one day owning their own successful cupcake business. Only one thing stands in their way – they’re broke.

Joon Hyeok is an unpopular musician whose life has hit rock bottom. He had already broken off his relationship with his older sister, Joon Hee, when her son appeared before him. His nephew developed Obsessive–compulsive disorder after his mother divorced his stepfather. Joon Hyeok takes his nephew in and looks after him. Joon Hee divorced her physically abusive husband after 12 years of marriage. She moved into an inexpensive apartment and now faces losing custody of her son to her ex-husband and his mother.

The owner of a Paris jazz club gets tangled up with dangerous criminals as he fights to protect his business, his band and his teenage daughter.

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

Lone-wolf detective Angie Tribeca and a squad of committed LAPD detectives investigate the most serious cases, from the murder of a ventriloquist to a rash of baker suicides.

A crazy comedy about three rather strange parish priests exiled to Craggy Island, a remote island off the Irish west coast.

Perestroika has already stepped from the Kremlin stands onto the streets of cities and towns. The Soviet Union is dying before our eyes, and along with a premonition of change, freedom of speech, music and prices, freedom from conscience appears, bordering on lawlessness. While the parents are fighting for survival, the children abandoned by everyone stray into street flocks and "fight for the asphalt." They literally fight to control everything that stands on their land or moves on it. Among the general poverty and loss of the adult generation, in youth groups there are clear rules of life, support and the word of a guy, which is stronger than an oath. But friendship and concepts of justice are increasingly mixed with violence and crime. Against this crucial historical background, the series shows the growing up and transformation of the schoolboy Andrey from a simple chushpan (as teenagers who were not "sewn" to any group were called) into a cruel kid.