What Would You Do?

In an alternate version of the present, Tokyo has been decimated by a shocking terrorist attack, and the only hint to the identity of the culprit is a bizarre video uploaded to the internet. The police, baffled by this cryptic clue, are powerless to stop the paranoia spreading across the population. While the world searches for a criminal mastermind to blame for this tragedy, two mysterious children - children who shouldn't even exist - masterfully carry out their heinous plan. Cursed to walk through this world with the names Nine and Twelve, the two combine to form "Sphinx," a clandestine entity determine to wake the people from their slumber - and pull the trigger on this world.

Throb is an American television sitcom broadcast in syndication from 1986 to 1988, created by Fredi Towbin. It revolved around thirty-something divorcee Sandy Beatty who gets a job at a small New Wave record label, Throb. Beatty's boss is Zach Armstrong, who looks like Michael J. Fox but dresses like Don Johnson. Beatty also has a 12-year old son named Jeremy. Beatty's best friend was Meredith, a single teacher who lived in her building, and her co-workers included hip business manager Phil Gaines, and Prudence Anne Bartlett, nicknamed Blue. During the second season, Sandy moved from her original apartment to the recently vacated penthouse in her building. She took in her co-worker, Blue, to help with rent, but the differences between straitlaced Sandy and the very free-spirited Blue became more pronounced as they both lived and worked together. Notably, it was the first time much of the American TV audience saw Jane Leeves, who later gained fame as Daphne Moon on Frasier. Also notable is the casting of a young Paul Walker, who played Jeremy Beatty for the first season. Walker became a leading man in Hollywood some 15 years later, particularly after his breakthrough role in The Fast and the Furious.

Nick Cannon, Dr. Ish Major, and Dr. Mike Dow helm crucial conversations for men. Joined by a diverse panel which includes celebrities, therapists, and athletes, the series delves into mental health, toxic masculinity, modern dating, and more. Challenging the silence often imposed by cancel culture, it provides an opportunity for understanding and growth—with no topic off-limits.

There are three of the Minami sisters: Haruka, Kana and Chiaki, who have an average life. The girls only have each other to depend on and help each other get through everything from love confessions to cooking.

Code Red is an American drama series that ran from 1981 to 1982 on ABC and was produced by Irwin Allen. The series revolves around the family and crew of L.A. Battalion Fire Chief Joe Rorchek.

Ichabod Crane is resurrected and pulled two and a half centuries through time to unravel a mystery that dates all the way back to the founding fathers.

A chronicle of the true top secret U.S. Air Force-sponsored investigations into UFO-related phenomena in the 1950s and ’60s, known as “Project Blue Book”.

A look into the lives of the movers and shakers who have shaped the story of modern Mumbai, with privileged access to people who have been instrumental in turning the city into a global powerhouse. Through personal stories set against the unfolding story of the past 30 years, this episode looks at the challenges and triumphs of a city and a country in the midst of extraordinary transformation.

At the end of her first year of high school, Futaba Yoshioka suddenly has a chance encounter with her first love, Kou Tanaka. Three years ago, he transferred schools before she was able to say how she felt about him. After meeting each other again, Futaba realizes that he has gone through many changes. He acts more cool and even had his last name changed to Mabuchi. Gradually the two rekindle their love while piecing together what had happened in the time that they were apart.

Lyokha, a former police sniper with post-traumatic stress disorder, in the midst of an alcoholic binge learns about the fatal illness of his sister Katya. Katya does not want her daughter to be sent to an orphanage after death, and asks Lyokha to take up her head so that he becomes a guardian for an eight-year-old girl. Lyokha has already lost many close people in his life, so he does everything to help his sister: he picks up old connections and gets a job at the police station. The area turns out to be difficult. The criminals that Lyokha must catch are fairy-tale characters: the Serpent Gorynych, Baba Yaga and other evil spirits. And if the former sniper does not have problems with the capture of villains, then attempts to become a good guardian become a real test for Lyokha.

After learning of his estranged father's sickness, a scheming middle-aged man assembles a fake family to reunite with him for one last time.

Women don't want owners; they want love...

A sociopathic socialite plots her father's murder.

The members of this elite investigative team are unique individuals with their own personal troubles, but what unites them is their strong sense of justice. They each channel all their energy and skill to solve the most difficult cases.

The unvarnished truth of life as a doctor working in obstetrics and gynaecology.

"Carbine" The first Ottoman crime show of television history, -Filinta- is a show that presents notions of rights, justice, camaraderie, fellowship and love. Mustafa is a very smart, skillful, handsome young man. He serves as a policeman with his best friend Ali, who is also an orphan like Mustafa. Kadı Gıyaseddin is a -kadı- (judge) who belongs to a well-established family, and was trained in Damascus, Bukhara, Cairo and Konya from an early age. He is of an easy-going and coolheaded temperament. He shows us his refined wisdom in every scene. He also has trained sultans sons at the palace. He is a former mentor of the Sultan. Our story begins with a conspiracy against Mustafa and Ali.

The story of a world-famous televangelist family with a history of deviance, greed and, yes, charitable work, all in the name of Jesus.

Chizuru loves Yuudai; Yuudai loves Chizuru. Yet neither of them can say it clearly because each is uncertain about the other’s feelings and is afraid of being hurt. Trapped by their insecurities in a relationship that’s going nowhere, they drift further and further apart. While Chizuru thinks this is the end of the road, Yuudai struggles desperately to overcome his cowardly nature before he loses what is most important to him. There are two stories to every relationship, but can love survive if they don’t meet halfway?